Tuesday 31 August 2021

Review: The Song of Lewis Carmichael

The Song of Lewis Carmichael, Sophie Laguna’s first children’s book in a decade, captures the reader’s attention immediately, and with its magical atmosphere, flings them into the story, making them a part of it from beginning to end.

Matthew had dreamed and read and thought about the Arctic and North Pole for as long as he could remember.

His world is comprised of unlimited books about the permanently frozen Arctic tundra, its animals, landscape and weather, the Northern Lights and everything connected to that place of escape.

Friendless, solitary, and without confidence, finding words for things was difficult for Matthew. He longed for a sibling. Not for himself, but for his parents. Someone who was more what they wanted.

One night, a black crow with a broken wing taps at his bedroom window. He introduces himself as Lewis Carmichael, a bird that Matthew had once shared his cake with in the park.

Beyond the window on the roof, a coloured air balloon waits, impatiently slipping towards the edge. Matthew believes he is dreaming, but Lewis puts that thought to rest.

From the moment he steps into the balloon with Lewis, Matthew’s transformation begins.

Eager to experience the place of his longing, the boy and bird embark on the greatest adventure. After six thousand nine hundred and twenty-two miles, they land on the shore of the Arctic Ocean.

Lewis is brave enough to trust the boy unconditionally. This allows Matthew the opportunity to shift into being who he longs to be. Now empowered, he proves resourceful, able to make decisions for them both by utilising all the knowledge he has stored in his brain from his books.

The repetitious reinforcement of love and encouragement by Lewis’ through his song to Matthew, cements their friendship and completes the boy’s metamorphosis.

Blue has been used for the text and the exquisite fine line illustrations that are delicate and fragile like transparent glass. Both verbal and visual narrative represents the purity of the Arctic, the pivotal point in the story.

Marc McBride’s illustrations shine within Laguna’s emotive and elegant poetic prose, which like music, skips, rises and falls. Two immensely gifted creators, collaborating to produce a novel of the utmost beauty.

Title: The Song of Lewis Carmichael
Author: Sofie Laguna
Illustrator: Marc McBride
Publisher: Allen & Unwin, $
Publication Date: 31 August 2021
Format: Paperback
ISBN: 9781760878573
For ages: 8 – 12
Type: Middle Grade Fiction




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12 Curly Questions with author Alison McLennan

1.Tell us something hardly anyone knows about you.
I once entered a beauty contest.

2. What is your nickname?
Ally

3. What is your greatest fear?
Spiders. Eek!

4. Describe your writing style in 10 words.
Lyrical, funny, heart-centred, whimsical, evocative, musical, meaningful, warm and fuzzy.

5. Tell us five positive words that describe you as a writer.
Persistent, patient, hopeful, supportive, enthusiastic.

6. What book character would you be, and why?
Dorothy in The Wizard of Oz, so I could be best friends with the Scarecrow, Tinman and Cowardly Lion.

7. If you could time travel, what year would you go to and why?
I would travel back to the early '80s and buy lots of shares in a dodgy new computer company called Apple. Then, with my new fortune, I would buy books. Lots and lots of books.

8. What would your 10-year-old self say to you now?
“You can make up stories? But we’re terrible at creative writing. What happened to us?!”

9. Who is your greatest influence?
My children. They fill my work with funny stories, and they also hold the last word on what they consider to be funny.

10. What/who made you start writing?
When my children were little, we were reading endless picture books and I fell in love with the artform. I decided to try writing them and, 15 years later, I finally figured out what I was doing.

11. What is your favourite word and why?
Serendipity – because who doesn’t love unexpected magic.

12. If you could only read one book for the rest of your life, what would it be?
The Passage, by Justin Cronin. I have a thing for vampires and dystopian futures.

Alison McLennan is an Australian children’s author. She has published two picture books, Hotel For Bees and Growing Pains, Her third book, Great and Small, will be published in 2022. Alison is a proud member of SCBWI and Writelinks, a mother of two beautiful teenagers and one fur baby. She is also a professional voiceover artist and singer. For more information, see www.alisonmclennan.org.



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Monday 30 August 2021

Review: Home

In a snowy mountain village, my family had lived peacefully for hundreds of years…

Until the day soldiers came to our door.

A young girl, her family and her entire village are forced from their houses after the war. 

There is no safety, no freedom and nowhere to call home. The young girl hides her locket from the soldiers, and as her family and the other villagers try to survive, the locket whispers to the girl...

Be strong. 
Sing our songs. 
Home is within.

With love in their hearts, the villagers stick together, and finally the girl and her family are taken by boat to a new land — Australia.

It is different to where they came from, and things can never go back to the way they were, but the girl finds a new home and a place that is safe and free for her to grow.

Home is a beautiful and important picture book about forgotten histories and the strength of family. Based on the true story of the removal of ethnic Germans from Czechoslovakia (and other places) following World War II, it tells the untold story of people who were forced to leave their homes because of unwarranted fear and prejudice.

Everyone from our village was marched down the main street as our empty houses stood guard making dark shadows.

So many emotions fill these pages. Heartache, pain and fear, but also love, hope and togetherness. As the refugees band together, they share their songs and dances to keep their traditions alive. They have little, but they share what they have. They never give up — never stop trying to find a new home.

Author Karen Hendricks delivers a story of strength and hope in this powerful picture book. It shows kids that resilience is in all of us, and that it’s the people around us that make up a home.

Through the use beautifully evocative language, Hendricks pulls readers deep into the story, sparking questions and discussion. But this is all balanced so well, with the story delivered with kids in mind, so that they can understand the themes and messages without needing explanation from adults.

I love this kind of gentle storytelling with powerful issues. Kids are smart, and they can pull meaning from story without our help. 

Home provides lots to interpret and think critically about, making it a book that can mean different things to different audiences. For me, the book has themes of resilience, hope, family, refugees, war and the meaning of home. But this is what I pull from the pages. When you read the book, you may find something different. I adore this.

Teamed with stunning illustrations from Alisa Knato, an illustrator from Russia, every turn of the page is layered with additional visual meaning. Through use of shadows and darkness, deep colours and gorgeous details, you are invited to step into the world of the girl and her village and experience every sadness and celebration with them.

At the back of the book, you’ll also find helpful facts about what happened after World War II to many ethnic Germans living in different countries. The information is easy to understand and very kid friendly, and it will help deepen understanding and allow kids to learn more.

On the very last page, Hendricks dedicates the story to her mother and grandmother, who were expelled from the village of Wunshendorf after the war before making their way to Australia. 

This story is for them.

Title: Home
Author: Karen Hendricks
Illustrator: Alisa Knatko
Publisher:  Daisy Lane Publishing, $28.95
Publication Date: 20 June 2021
Format: Hardcover
ISBN: 9780648771890
For ages: 4 - 10
Type: Picture Book




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Winner: My Dad Thinks He's Super Funny

Sunday 29 August 2021

Review: All My Love On Father's Day

All My Love On Father's Day is kind of an enormous Father's Day card.

It's filled with thoughtful quotes, written as though from a child to a parent.

Each quote is accompanied by an illustration featuring Disney and Pixar characters.

The characters are aligned to the sentiment of the text, and will be recognised by readers of various ages.

Look out for classics like Pinocchio and Geppetto, Winnie the Pooh and Piglet, Nemo and Marlin, and Simba and Mufasa from The Lion King

There are also more contemporary characters including: The Incredibles, and Karl and Russell from the movie, Up.

Each double page spread has a different brightly coloured background and the featured characters. The text highlights key words such as love, guiding, believing, kindness, laugh, and home, amongst others.

All My Love On Father's Day would make a great gift, and also inspiration for children making their own cards.

Find a copy in time for a special day like Father's Day, or any other day of the year.

Title: All My Love On Father's Day
Author/Illustrator: Disney
Publisher: Scholastic Australia, $ 16.99
Publication Date: August 2021
Format: Hardcover
ISBN: 9781761128998
For ages: 5+
Type: Picture Books



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Saturday 28 August 2021

Guest Post: Dennis Wesley on Children’s Literature: The Challenges of Encouraging Children to Read

Editor's own image
Reading is no longer the only form in which children explore stories. The video and multimedia formats have been growing increasingly popular in this context. 

Nonetheless, reading remains one of the best ways to help children develop their cognitive, intellectual, and emotional skills. 

As is almost universally recognized, this is because reading for children is more than just a way to explore stories. 

Besides, children’s literature is also extremely diverse: it ranges from simple books with extensive illustrations, images, or pictorial narratives to fairly complex works that might require additional effort on children’s part. Yet both types of works sometimes tend to have great literary merit. As a result, the diversity of children’s literature is also perhaps its greatest strength; more on this shortly.

Children’s literature also debunks the notion that books that rely on images and pictorial narratives are not complex. On the contrary, illustrated works are sometimes substantially complex, and more often than not, the illustrations also help children appreciate the complexities of the work. Therefore, in addition to developing their literacy skills, reading also enables children to explore the vagaries and complexities of the human condition.

Videocy Versus Literacy

The rapid emergence of the video format as a learning tool in early education and as an entertainment option often worries parents and teachers. Some of these concerns are indeed deeply troubling: for instance, some critics use the term 'videocy' to refer to the ubiquity of video technology in our lives. Videocy is also associated with the growing tendency to reduce nuanced information and data to snippets and bite-sized summaries that typically ignore or miss key aspects of complex matters. The larger argument here is that videocy has endangered our ability to think critically and deal with ambiguities and nuances. This is particularly worrying because critical thinking requires practice, and videocy has made it difficult for both adults and children to practice critical thinking.

Editor's own image
Though reading is becoming more and more endangered today, encouraging children to read is immensely doable. At the same time, it must be said that the video format does not necessarily compromise our critical thinking ability. With moderation and control, adults and children can enjoy the richness of the format, which also has its fair share of benefits. The key then is to help and encourage children to find time for reading in a culture that now seems to mainly incentivize watching videos. Since the video format is here to stay, it is also futile to frame the issue in terms of 'reading versus videos': it is important that children become discerning consumers of videos, and indeed of all media (including the written word), but this shouldn’t come at the cost of forcing children to read.


The Pitfalls of Forcing Children to Read


This influential work on the effects of reading highlights that forcing children to read constitutes a highly unrewarding and stressful experience for them, which can also be detrimental in the long run. The work claims that this typically leads to 'less involvement in reading-related activities.' In effect, forcing children to read tends to create an aversion for the activity. Forcing can also take the form of pressurizing children to read difficult materials. If, for instance, a child seems to be below the prescribed standard of reading competency for a given age group or grade level, forcing or expecting them to read at that standard would be counterproductive. Worse, it is likely to be a deeply unpleasant experience for children. This is an instance where parents and teachers should capitalize on the diversity of children’s literature as well as the diversity of reading experiences. In fact, as we will see in what follows, the diversity of children’s literature and the inherent diversity of reading experiences are especially helpful in encouraging children to not just read but to do so in a fairly stress-free manner.

First, what does it mean to say that reading is a diverse experience? Simply put, it means that different children relate to different things in a book. Besides, some children benefit from reading a book all by themselves, whereas other children might prefer to discuss their reading experiences--be it with other children, or parents and teachers.

Even if they are reading for entertainment, some children might be unable to appreciate a book without guidance or some additional support. This is not to be frowned upon. Indeed, this is not just an opportunity for parents to bond with their children but also a way to show that they take their children’s concerns seriously. That they are willing to converse and discuss with their children. More importantly, doing so also enables parents and children to deal with any stigma that might be attached to the idea of seeking assistance. Additionally, when children say that they don’t understand something, this is usually an example of higher-order thinking. The ability to realize that one hasn’t grasped a concept well enough is a mark of critical thinking and intellectual honesty; this is not to be shunned. In other words, reading competency is not always a measure of children’s intelligence; it is perfectly normal for children to be intelligent and find reading challenging at the same time.


Dealing With Negative Tags Surrounding Children’s Literature


Although schools are now trying to rescue terms such as 'reading competency' and 'letter knowledge' from the oppressive spirit of cutthroat competition, these terms still do have the tendency to make children and parents feel inadequate and inferior. However, the internet has made it easier for parents and teachers to find a wide range of reading materials to suit children’s reading competencies. Consider, for instance, some canonical works of children’s literature, such as Animal Farm, Lord of the Flies, and The Little Prince. Though they all address complex matters, their stylistic approaches could not be more different. The prose in The Little Prince is sparse but deeply engaging and thought-provoking, and it also features some wonderful watercolor illustrations by the author. On the other hand, Animal Farm and Lord of the Flies are widely recognized as prime examples of dystopian literature.

It is no surprise that more children tend to find these two works more challenging than The Little Prince. This is of course not to say that the latter isn’t as valuable a literary work as the other two. In fact, the condescension toward The Little Prince for its simple style lays bare another troubling tendency: 'children's literature' is sometimes used as a pejorative, driven by the assumption that it is not critical and presents an inaccurate, fairy-tale-like view of the world. In other words, it is seen as a source of empty enjoyment, not as a particularly good way for children to develop language skills, critical thinking skills, or emotional intelligence. Negative tags surrounding children's literature, such as 'juvenile' or 'uncritical,' might prevent parents, teachers, and caregivers from introducing or encouraging children to read. Worse still, in some cases, these negative tags might even urge anxious adults to force children to read material beyond their reading competency.


A good way to fight this tendency is to remind ourselves that children’s literature is also deeply useful for adult ESL learners; since the writing is usually simple and easy to follow, ESL learners are better able to develop an understanding and appreciation of the nuances of the language. That children’s literature is mostly written to enable ease of understanding doesn’t necessarily mean that it is 'simplistic' or 'reductive.' Claiming that something is patronizing merely because it employs a simple style is inaccurate and unfair. Conversely, something that is written in a simple style does not automatically make it children’s literature. In other words, not every simple work is suitable for children, and children do not necessarily have to read works classified as easy or simple. Besides, what is simple for one child might be complex for another.

To help children navigate difficult texts, parents and teachers can now choose from a wide range of introductory and supplementary study materials online without worrying about diluting or oversimplifying these works. Most of these are free and accessible via a simple online search. Encouraging children to read in this era of videocy is essential to enhance and diversify their learning experience. And helping children read better might be the best way to do so, especially since this approach focuses on making reading an enjoyable experience.

Dennis Wesley is an independent researcher. His interests include STEM and Humanities education, especially interdisciplinary practices and methods. You can follow his personal blog here.





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Review: Koalas Like To...

Koalas like to sleep in trees.

Koalas like to eat gum leaves.

Koalas like to sing and dance.

Koalas wear striped underpants.

Wait, what? Koalas don’t sing and dance, and they don’t wear striped underpants. 

Do they?

In this fun, rhyming picture book, Dad tells the kids all about koalas. But...

...some of his facts seem odd. The kids challenge dad about his not-quite-right koala facts, and he promises to get it right. But somehow, each time he tries to tell them about koalas, the facts get more and more outrageous.

Driving cars, visiting planets, riding around in kangaroo pouches — the hilariousness grows and grows. Can Dad get the facts right about this beautiful Australian animal? At least the kids know the truth!

This is a brilliant picture book that combines non-fiction and fiction to great effect. Perfect for reading to a crowd, its repeating rhythm and structure allows kids to participate in the storytelling. Kids will laugh throughout the story, but they’ll also learn about koalas too. At the back of the book there are even more awesome koala facts for kids— some really cool ones I had never heard of.

The illustrations are paired perfectly with this story. They are fun and funky, with lots of white space to let the text shine. There are loads of koalas throughout the book, and they are brought to life through cheeky personalities and lots of detailed expressions. On each page you can explore the mischief the koalas get up to and choose a favourite.

For fun, funnies and lots of cool koala facts, I highly recommend grabbing a copy of Koalas Like To… Together, Shae Millward and Brent Wilson have created a rollicking good read that will have the kids in stitches while it teaches.

Kolas Like To… is published by the State Library of Queensland as part of their First 5 Forever early literacy program. There are 12 books in the series, all of them promoting strong early literacy foundations for kids aged 0 to 5, while linking story to the things that make Queensland special.

You can check out all the great picture books in the First 5 Forever series at the State Library of Queensland website. They even provide PDF downloads and audio files so every child can access copies of these great books.

Title: Koalas Like To...
Author: Shae Millward
Illustrator: Brent Wilson
Publisher: State Library of Queensland, $24.95
Publication Date: December 2020
Format: Hard cover
ISBN: 9781922467126
For ages:  4 - 6
Type: Picture Books



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Friday 27 August 2021

Review: Everything I Thought I Knew

How many times do plans that are made fall apart, and things put off for tomorrow never eventuate?

Chloe had mapped out her life in grids. Each represented a step toward her ultimate goal. In the last months of her senior year, her heart broke, but not due to love.

That someone had to die for her to live was difficult to come to terms with for her. After the transplant, nothing was ever the same.

Her memories now seem foreign to her. Flashes of visions that she knows are not connected to her life come and go.

Then there is the food she eats and the clothes she now chooses to wear. It’s like a rebellion is taking place in this new life she now has but is uncomfortable with. She has learnt about cellular memory, but surely?

She meets Kai. A gorgeous surfer who gives surfing lessons during the summer break. Falling in love was never in her plans. Something about the sea draws her to it. She buys a surfboard and finds she’s a natural.

Becoming even more daring, she drives a motor bike for the first time as if she was riding for years.

Chloe becomes obsessed with finding out who her donor was. Perhaps this knowledge would answer her countless confusing questions.

Who was the man sitting crying in a chair beside her hospital bed? Why does she continue to see images of a motorbike crashing in a tunnel? Whose memories are these if not hers, and what are they trying to tell her?

Chloe begins to feel that perhaps she is losing her grip on reality.

Learning about her donor doesn’t bring the comfort and closure that she imagined it would. It shatters everything that she believed in and hoped for, and forces her to question every aspect of life and death and love.

Everything I Thought I Knew is a fascinating debut novel that compels the reader to keep turning the pages to discover how the story will end. A one-sitting read, it is imaginative, with a startling end that will draw a gasp.

Title: Everything I Thought I Knew
Author: Shannon Takaoka
Publisher: ,Walker Books $ 18.99
Publication Date: 4 August 2021
Format: Paperback
ISBN: 9781406395365
For ages: 14+
Type: Young Adult Fiction




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Thursday 26 August 2021

Meet The Illustrator: Kristen Willis

Name: Kristen Willis

Describe your illustration style in ten words or less.
Colourful, mixed mediums (traditional & digital), playful, and graphical.

What items are an essential part of your creative space?
I need music, always. For mark-making, I need a handy-sized sketchbook, my iPad Pro, and inspirational resources.
 
At the beginning of each project, I 'nest' and cultivate the ultimate creative environment. 

It is not uncommon for my home-studio walls to be covered in process pages, sketches, and design notes. This changes depending on what my project focus is.

Do you have a favourite artistic medium?
I love working across the two extremes of traditional and digital. Starting with a good quality rag paper (Fabriano Rosaspina), I work watercolours, inks, and pastels (often together) into the fibres. It’s all about layers and textures. When it comes to digital, I swear by Procreate and Adobe Illustrator.

Name three artists whose work inspires you.
I have a die-hard crush on late 19th Century and master eastern wood-cut artists. I live for a Henri Toulouse Lautrec and Pierre Bonnard lithograph and the incredible observational human studies of Katsushika Hokusai.


 

Which artistic period would you most like to visit and why?
Please take me back to the post-impressionist era when Japonisme started making waves in the early 1860s Paris, especially when print advertising became commercialised and the new exciting medium for mass communication. The early pioneers of printmaking and graphic design (without knowing it).
I have an amazing National Gallery of Australia publication called 'Paris in the Late 19th Century', it exhibits the dramatic social change and spectacular artistic production of this period-in-time. Published in 1996, it still teleports me to this day!

  
Who or what inspired you to become an illustrator?
I believe that it has been an evolutionary process over time. I tend to go through creative milestones that are enhanced by the previous and lead me to new growth opportunities. Although the creative journey can feel very lonesome, I was never really alone. To this day, I have incredible creative mentors, and for that I am eternally grateful.
 
My creative roots began in Ingham (rural North Queensland) as a child with my Nonna Lina. I would spend hours imagining and creating in her singer sewing shop on Lannercost Street. After high school, I was offered placement to study Visual Arts at University; it was here that my obsession with printmaking and art truly blossomed. Over the next five years, I veered away from traditional art, longing for a 'career'. This was when I launched myself into the world of Graphic Design (2011).
 
I believe that my artistic and design learnings have guided me to this point in time, where I have finally reached a level of creative independence. In late 2019 I launched my own creative business, Tondo Creative which allows me to actively pursue unique collaborations and blend my two loves of art and design.



Can you share a photo of your creative workspace or part of the area where you work most often? Talk us through it.
Because I work from home, I like to move around. You'll typically find me banging out graphic design work at the desk in front of two monitors and my iPad Pro by day.
 
By night you'll find me sprawled across the family dining table or sitting on the lounge room floor with a lap table, surrounded by delicious reference materials and getting back into the practice of artmaking.




What is your favourite part of the illustration process?
Although I've been creating for a long time, I have only just recently thrown myself into the world of children's book illustration. Becoming a mother had a lot to do with this, and I discovered that I now have the ability/desire to create stories.
 
I'm currently developing my very first illustrative children's book and have fallen in love with every stage of the process (so far). Maybe because it's so new and shiny? Or perhaps it's because it's a story close to my heart? Either way, watching the evolution from transcript to character development is intoxicating. And the inner design nerd is having the best time studying narrative-driven picture-making and understanding effective book-flow and layout structures.



What advice would you give to an aspiring illustrator?
Give yourself permission to grow. Experiment with different mediums, try things that make you uncomfortable, and most of all, take a deep breath, be brave and share your journey.

Creativity takes courage – Henri Matisse.

 
Kristen is a multi-media artist based in Brisbane. She explores and indulges in all aspects of Illustration, Printmaking and Graphic Design by mixing traditional fine-art techniques with digital media. Kristen’s Australian-Italian heritage constantly inspires her to visually archive family stories and emotively respond to daily life.

For more information please visit Kristen's website or follow her on instagram.















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Wednesday 25 August 2021

Guest Post: Katrina Germein on My Dad Thinks He's Super Funny

More than Jokes - today best-selling picture book author, Katrina Germein, fill us in on her latest addition to the hugely popular (and funny), 'My Dad' series. 

 My Dad Thinks He’s Super Funny is the third installment in the My Dad series. It’s a sparkling, new collection of entertaining dad jokes but all three books are not just about dads, or dad jokes, they’re about family.

I didn’t know that when I wrote the first one, My Dad Thinks He’s Funny. I began the way I usually do; I started writing about something I’d noticed and wanted to explore. My dad doesn’t typically tell dad jokes. He’s funny but in a very-long-story type of way. My stepdad is funny as well, but in a riddles-and-rhymes type of way. 

So, I didn’t grow up with classic dad humour and it was something I tuned into as an adult. My father-in-law inspired the original story. He would crack a gag, and while his own grown-up children rolled their eyes, I chuckled. 

This family culture was new to me. All the adult kids groaned at their father’s comedy, but you could see that they also loved him for it. I started collecting these jokes and thinking about a ‘funny dad’ character. I kept collecting, and I’m still collecting, as the series grows and grows!

When the first book was finished, I thought it was fun. Tom Jellett’s illustrations were perfect, so clever and humorous. The book made me laugh and I hoped it would make readers smile too. What I wasn’t expecting was the warm feelings of nostalgia it fostered. Adult readers were soon telling me teary stories of grandparents, parents, uncles, and aunties. At each school visit I do, some students share favorite jokes, but most want to describe a beloved funny relative. Hearing these anecdotes is always special and I’m touched to know that the My Dad books bring families together, often to share memories and stories, as well jokes and laughs. I can’t wait to hear what new family tales stir from My Dad Thinks He’s Super Funny.

Katrina Germein is a best-selling picture book author, published worldwide. Her popular title, My Dad Thinks He’s Funny was Highly Commended in the Prime Minister’s Literary Awards and became the first book in the ever-growing ‘My Dad’ series. In 2019 Katrina received a Speech Pathology Book of the Year Award for Let’s Go Strolling and her 2020 release Shoo You Crocodile! was chosen for the Little Big Book Club literacy program and gifted to twenty-three thousand pre-school children. 

Many of Katrina’s other stories, such as Big Rain Coming and Thunderstorm Dancing, have been recognised as Children’s Book Council Notable Books and featured on children’s television programs including Play School. You can visit Katrina via her website.

Don't forget our terrific KBR Giveaway this week. You could add to your library of dad jokes simply by entering our My Dad Thinks He's Super Funny giveaway this week. Competition is free to enter and open until this Saturday.



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Tuesday 24 August 2021

Review: It's A Long Way To The Shop

Get your giggles out because this book will have you ‘rolling’ around with laughter. 

It’s a Long Way to the Shop is a quirky story about two rocks on an epic mission to find a tasty snack. Along the way the rocks find plenty of things they can’t do, including climbing, flying and swimming, but somehow they keep being propelled towards the shop. 

Green rock’s practical disposition paired with pink rock’s fanciful nature, causes many funny moments. The ending is totally what I’d hoped for. Just remember to make sure you look at the gorgeous end papers as they are a part of the story.

Full of page-turning moments, Heidi McKinnon’s writing style is off-beat and witty. Her dialogue only text creates great characterisation and places the reader smack-dab in the middle of the action. She simplifies the text by using the colours of the rocks to show the speaker. All in all, McKinnon has created a story of friendship, determination and persistence.

I love McKinnon’s clean and minimal illustration style. The rocks’ colours pop against the washed-out backgrounds. Further the limited colour palette allows the rocks’ expressions to stand out. She has also added layers of meaning especially on the rock concert page so make sure you take a close look.

Both adults and kids will love It’s a Long Way to the Shop, especially fans of Jon Klassen. For someone who is always saying to her kids, ‘Come on, let’s rock ‘n’ roll,’ this story really tickled my fancy. There are rock ‘n’ roll references galore. What more can I say, except read this book and let the good times roll. Sorry, I couldn’t help myself!

McKinnon’s work has been shortlisted for numerous awards. If you’re keen to find out more about this talented creator, her KBR interview is here. You can also read reviews of McKinnon’s other fantastic books including, I Just Ate My Friend and Baz & Benz.


Title: It’s a Long Way To The Shop
Author/Illustrator: Heidi McKinnon
Publisher: Scholastic Australia, $17.99
Publication Date: 1 November 2018
Format: Hardcover
ISBN: 9781742998855
For ages: 3+
Type: Picture Book






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12 Curly Questions with author/illustrator Philip Bunting

1. Tell us something hardly anyone knows about you.
I can only write by hand in UPPERCASE! It’s a bit of a glitch in the old system, one that I’ve had since I was in primary school. Related to this, I also hold a pencil like a dart – with all four fingers on one side of the pen, and an (almost!) opposable thumb on the other. A dull answer this may be, but I estimate that there are probably one or two other creative types reading this with similar afflictions! So if you’re reading this and you also write in ALL CAPS, or can’t hold a pencil the way they try to teach you in school... please get in touch and we will form a gang. We can drink tea and whinge about how the ALL-CAPS wishes we send in greetings cards always come across just a little too intensely, and other mild inconveniences.

2. What is your nickname?
I am lucky to be able to coach my son’s junior rugby team – the great and powerful Eumundi Dragons U8s! The boys have recently taken to addressing me by a brand new nickname... Stinky Phil. No idea why!? Haha. Outrageous disrespect. Grumble grumble. Kids these days...

3. What is your greatest fear?
Moths, indoors. You should see some of the things that fly into our place on summer nights here in Queensland – they are bloody terrifying!

4. Describe your writing style in 10 words.
Making it up as I go (most of the time).

5. Tell us five positive words that describe you as a writer.
Vincit qui se vincit. Pretentious.

6. What book character would you be, and why?
Doesn’t everyone answer ‘Jesus’ to this one? Granted, he met with a grizzly end, but those 33 years he had were pretty impressive. And what a comeback!

7. If you could time travel, what year would you go to and why?
I’d head straight to 2097 to meet my three children in their 80s, and hear about the wonderful things they’ve done with their time on Earth.

8. What would your 10-year-old self say to you now?
“Heads up – your drawing skills won’t improve from this point on.”

9. Who is your greatest influence?
My three beautiful babies: Leo, Florence and Arthur. I feel like there have been two iterations of me, one pre-, and one post-kids. Becoming a father at 30 gave me such a profound and elemental shift in perspective.

10. What/who made you start writing?
My first book, Mopoke, was written as a first birthday present for my daughter, Florence. I had no interest in getting it published at the time, but my better half, Laura, encouraged me to send the manuscript to a few publishers.

11. What is your favourite word and why?
Can I have two? 'Unbelievable!' for sheer utility and versatility, and 'Squonk!', purely for the phonetic, onomatopoeic, silly joy of the word.

12. If you could only read one book for the rest of your life, what would it be?
I’d quite like to spend some time with the Bhagavad Gita or Lao Tzu’s Tao Te Ching. I’m pretty dumb, so it would likely take me the rest of my life to fully comprehend the wisdom in either of these.

Read KBR's reviews of Liarbird, The Gentle Genius of Trees and How Did I Get Here?

Philip Bunting is an author and illustrator with a soft spot for creating picture books for sleep-deprived, time-poor, raisin-encrusted parents (and their children). Philip’s work deliberately encourages playful interaction between the reader and child, allowing his books to create a platform for genuine intergenerational engagement, and fun. For more information, see www.philipbunting.com.



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Monday 23 August 2021

Review: Human Kind: Self-belief

Another title in the superb series, Human Kind, Self-Belief inspires, teaches and illuminates, ways for children to reach their full potential by discovering how wonderful and gifted they, and every human being is, or can be.

Children gain confidence, through belief in their abilities, perseverance, and working on what interests and talents they have.

Self-belief is learning who you are and what you are good at.

The approach to these gems is diverse and embracing. A big heart helps you care for the world, care for yourself, and care for others.

Accept people for who and what they are. Everyone is different. Care for yourself and stand up for what you believe.

A person can’t be good at everything but can give lots of things a go. Self-belief is a thing that changes and grows, just as people do.

The book is designed with affirmations at the beginning of the spread, followed by thoughts children frequently have when trying something new. These continue with a positive example overriding the initial negative thought.

Set out like little stories, the concepts are easy to understand. Gorgeous illustrations support each idea. The visual narrative is equally valuable as the text.

Facial expressions relay the concern and anxiety being experienced. Emotions are addressed and explained.

The end of the book has a Let’s Talk about Self-belief section that introduces four different people from a variety of careers, with their experiences in self-belief within their chosen fields.

Discussion Questions for Children, closes the book with suggested topics to initiate conversations between children and adults, and presents opportunities for kids to explain what they felt about, and how they overcame, tricky challenges.

Other titles in this series are Human Kind: Honesty, Perseverance, Courage, Kindness, Resilience and Imagination.

Title: Human Kind: Self-belief
Author: Zanni Louise
Illustrator: Missy Turner
Publisher: Five Mile Press, $19.99
Publication Date: 1 August 2021
Format: Hardcover
ISBN: 9781922514318
For ages: 5+
Type: Non Fiction




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Sunday 22 August 2021

Review: Duck, Duck, Dad?

Ralph is a dog who loves his quiet life.

When he happens to walk past an egg that is hatching, that life changes immediately.

The first thing the duckling that appears sees is Ralph, and soon the duckling has imprinted on the dog.

And not long afterwards, there are many more ducklings who are following Ralph.

Poor Ralph's quiet life is no longer his own, and no longer peaceful.

What's a dog to do, but try and be a father figure to a flock of ducks.

The trouble is, dogs are not sure about what ducks eat. And keeping the ducks clean is an adventure.

Just like human children and parents, Ralph and his ducklings live a life filled with feeding growing kids, and curiosity-filled questions.

Will Ralph ever have canine children? Will the ducklings ever connect with their duck parents? 

Children and adults will enjoy the journey Ralph goes on in Duck, Duck, Dad? with Lorna Scobie's humourous text and illustrations full of recognisable experiences, and lots of love. 

Title: Duck, Duck, Dad?
Author/Illustrator: Lorna Scobie
Publisher: Scholastic, $ 17.99
Publication Date: August 2021
Format: Hardcover
ISBN: 9780702304019
For ages: 3+
Type: Picture Books



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Friday 20 August 2021

Review: Lilah the Lyrebird

We are introduced to Lilah in Jodie McLeod’s previous award-winning book, Leonard the Lyrebird. 

Leonard is a performer who mimics every sound that he hears in the bush.

He meets Lilah; beautiful and strong-minded. A bird that knows what she wants and will wait to get it.

Of all the sounds that Leonard can make, there is one she still longs to hear.

When Leonard saves Lilah from a fox, they become friends forever.

Lilah the Lyrebird continues their life.


They do everything together; work, play and entertain the animals that share the natural beauty of the Blue Mountains that surrounds them.

Now it is Leonard that longs to hear Lilah sing. She refuses, standing by what her mother taught her: save your song to save the day. But she doesn’t know what that means exactly.

Neither does Leonard. He believes time will reveal the mystery, for he knows a reason for everything is not always visible.

He looks around him and sees the mysteries of nature that make up his world. The giant trees and waterfalls, rock structures and mists over valleys. Even his own plumage and ability to sing.

The new sounds that Leonard brings to Lilah impress her. She listens. As they pour from him with such accuracy, she recalls a groaning heard coming from a bunyip cave.

They are warning sounds; sounds of danger!

Lilah acts quickly. She climbs to the highest branch of the nearest tree. Red swirling, curling air reaching upward has filled the sky in the distance. A dark mist travels behind it.

Her mother’s words come to her. Lilah sends out a song to all the animals of the forest.

Echoing through a sequence of famous landmarks scattered over the landscape, birds, animals and other living creatures flock toward her song; the one saved for this moment.

This stunning book is set in the breathtaking Blue Mountains of Australia. The landmarks of the region - monuments created by nature, are accentuated by the use of rhyme and clever alliteration. 

Eloise Short's outstanding artwork makes the region come alive on the page.

Lilah the Lyrebird is a book about rebirth, courage, self-belief and love, coming at a time when the world needs these words.

Title: Lilah the Lyrebird
Author: Jodie McLeod
Illustrator: Eloise Short
Publisher: Jodie McLeod, $24.95
Publication Date: 5 December 2020
Format: Hardcover
ISBN: 9780646824444
For ages: 2 – 8
Type: Picture Book




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Junior Review: A Place At The Table

Friends don’t have to be alike for a friendship to thrive. You just have to be there for each other and be able to encourage and understand each other. 

In A Place at the Table by Saadia Faruqi and Laura Shovan a friendship is discovered through food and culture.

Sara is facing a big change, she’s moving from her Islamic private school to a large public middle school, where she’s a stranger to everyone there. 


Elizabeth and her best friend aren’t exactly on the best terms, while her British mother aches for home and her father is often traveling. 


They meet at a cooking club after school, where Sara’s mom teaches. They learn that they work well together and partner to enter a cooking competition. 


While they share a love of food, their differences weigh them down. Will they be able to value their friendship and overcome the challenges? 

 

Authors Saadia Faruqi and Laura Shovan have intertwined cultures into friendship. This novel teaches you about Islamic and Jewish cultures, and how being friends with different types of people is a great way to learn about other cultures. A Place at the table talks about family, food, and friendship. I hope you enjoy this comical and cultural novel. 

Title: A Place At The Table
Author: Saadia Faruqi and Laura Shovan
Publisher: Clarion Books , $28.03
Publication Date: August 11, 2020
Format: Hardcover
ISBN:
978-0358116684
For ages: 10 – 12
Type: Middle Grade Fiction





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Saturday 14 August 2021

Junior Review: Burn

It’s 1957 and a different world. Sarah, a 16-year-old girl has been living on her father’s farm for all her life. With World War 2 on the horizon and the launching of Russia’s satellite, Sarah’s life starts to slowly morph into chaos.

They are not proud of it, but Sarah and her father are hiring a dragon called Kazimir to rid their fields of trees in an attempt to save their farm before it is sold and torn apart. They are also trying to distract themselves from the looming danger.

There is more to this mysterious dragon then meets the eye. He claims he is there to save Sarah from an assassin. Whether or not she can trust him is the question she has to ask herself before her life and the people in it are changed forever.

Malcom is an assassin who must kill a girl he doesn’t even know to save the world from humans and to protect the dragons.

He is a believer, meaning he respects the dragons as if they are gods and is led by Mitera Thea. When he meets a boy who he begins to gain affection for, he starts to question his task. He realises it was all a trap, but too late. After discovering Mitera Thea’s true intentions for sending him on his assassin mission, his world is also forever changed. I recommend you read this book of mystery, fear, adventure, magic, and fantasy.

I enjoyed this book because it was told in extreme detail making it easy and fun to imagine the scenery. I also loved how author Patrick Ness incorporated the dragons into the setting of the beginnning of World War 2. I have always loved dragons and Patrick Ness has described them and their personalities beautifully.

Compare our former KBR review of Burn by Karen Mitchell. Great to have a child's POV!

Title: Burn
Author: Patrick Ness
Illustrator: Alejandro Colucci
Publisher: Walker Books, $24.99
Publication date: May 2020
Format: Hardcover
ISBN: 9781406398854
For ages: 14+
Type: Young Adult Fiction




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Friday 13 August 2021

Review: An Unexpected Hero: Pow Pow Pig #1

It is 2050. Although scientists have eradicated diseases, chaos reigns in the world.

Piccolo, known as Pow Pow Pig, has been taught to always help others. He and his animal group of friends, Danielle Duck, Chelsea Chicken and Barry the Goat, have joined CHOC – Creatures Helping Other Creatures, to make the world a better place. Learning skills to be of use to others in need, is their mantra.

Pow Pow Pig’s time hasn’t been utilised to learn training of the usual kind. His allocation was the kitchen. That’s where he met his friends. He is an ace at cooking, cleaning and washing up!

After failing repeatedly to get into classes for other skills, the group decided to reinvent themselves.

Pow Pow mastered the use of a broom as a staff. Danielle Duck, persistent as ever, perfected the use of a tea towel as a Kung Fu whip and was renamed Kung Fu Duck.

The charming and super clever Chelsea Chicken, with her Mixy Fixy, can repair anything. She is transformed into the dancing Cha Cha Chicken. Barry the Goat perfected the art of leaf-raking with fast-paced perfection. He remained Barry.

After three years at CHOC, Graduation Day arrives. At CHOC, each animal is graded in teams alphabetically; A being the best, and Z the worst. Pow Pow knows his parents will be disappointed.

Names are called. Teams are announced. The friends wait. And wait. Z is followed by silence all the way home.

The friends refuse to accept defeat. They continue to train using their own method and weapons.
When a huge explosion takes place, Chief Instructor Carmel can’t find any of the leading animals.

Saving the world now depends on Pow Pow and his friends. They must use a hidden Time Machine to go back to 2030, and reverse the vote to stop helping the poor.

With hope their only weapon, they set out.

Nothing is as they expect. On landing, eight hours are needed to recharge the Time Machine. During this wait, Cha Cha finds a red handkerchief. On this evidence, they are arrested for kidnapping the Princess Tiny, about to be crowned Queen.

They fight buffalo guards and giant crocodiles from the moat in order to escape and find the Princess.

Having to rely heavily on Barry’s extraordinary sense of smell, their own courage and resourcefulness, and refined skills with their cleaning tools, can the friends manage to overpower the giant lizard guards, save the Princess, and flee in the recharged Time Machine?

But where has the Time Machine made its second landing? Certainly not in 2030!

In this new series, Anh Do shines a light on important issues such as class distinction, consumerism, waste, wars, poverty, environmental protection, and the value of hope and friendship.

This will be added to his plethora of successes. Full of optimism and acts of kindness, this new bunch of characters are ideal role models for children to learn from.

Title: An Unexpected Hero: Pow Pow Pig #1
Author: Anh Do
Illustrator: Peter Cheong
Publisher: Allen & Unwin, $ 15.99
Publication Date: 3 August 2021
Format: Paperback
ISBN: 9781760526405
For ages: 6 – 10
Type: Middle Grade Fiction




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Thursday 12 August 2021

Review: Billy The Punk

Meet The Illustrator: Sarah Anthony

Name: Sarah Anthony

Describe your illustration style in ten words or less.
Realist figurative oil painting and drawing

What items are an essential part of your creative space?
Oil paints, pencils and mediums, beautiful hand pressed papers, coffee and music

Do you have a favourite artistic medium?
I love painting in oils as they have a luminous quality, and vibrancy of colour that is hard to find in other mediums.

Name three artists whose work inspires you.
Denis Sarazhin, Lucy Culliton, Colin Davidson

Which artistic period would you most like to visit and why?
All of them! In particular, though, the Impressionists.
I am personally so influenced by the use of light and colour to convey mood, that characterised the movement.


Who or what inspired you to become an illustrator?
I was working as a painter and hadn’t really thought of turning my hand to illustration until I was contacted by the Associate Art Director at Walker books. I thought “what an extremely great idea!” and the rest is history!



Can you share a photo of your creative work space or part of the area where you work most often? Talk us through it.
As we are currently under lockdown I mostly paint at a tabletop easel in the dining room at home. I have a trolley next to me with all my paints and mediums in and a plan chest for all my drawings.

What is your favourite part of the illustration process?
It’s all interesting, but it is such a buzz when the text is first placed into the illustrations, and the project starts to come to life as a book.


What advice would you give to an aspiring illustrator?
Spend serious time in developing a portfolio that shows the range of work you can do. Join professional bodies and groups that can help promote your work and help you make industry connections. Take your time, and don’t give up!


 Sarah is a Melbourne-based figurative painter, metalsmith and illustrator. Her qualifications include BA Hons Fine Arts / Silversmithing and MA Art Therapy.
She has a particular interest in portraiture and do private commissions and exhibit regularly. In 2020 Sarah illustrated her first children’s picture book named ‘Drover’ for Walker Books.

For more information, please visit Sarah's website or follow her on instagram.











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